“High Tech-Low Tech: Smart Phone Image Makers Matthew Beniamino and Jett Ulaner Sarachek” at the Baum School of Art features the work of an emerging Millennial artist and a veteran Baby Boomer photographer, with an opening reception talk, 6:30 p.m. Nov. 1, and a closing reception, 6 - 8 p.m. Nov. 15, David E. Rodale and the Rodale Family Galleries, Baum School of Art, Allentown.
Two anniversaries significant to Muhlenberg College and its iconic radio station WMUH are being celebrated in two gallery exhibitions through Oct. 31 at the Liberty Bell Museum, Zion’s Church, 622 W. Hamilton St., Allentown.
“Towards a Greater Muhlenberg: The Evolution of Muhlenberg College 1848-2018” traces the 170-year history of the college from its inception as the Allentown Seminary, Fourth and Walnut streets, Allentown, through the school’s relocation to Allentown’s West End, and its transformation to a modern, coeducational liberal arts college.
Barnaby Ruhe, a Lehigh Valley creative force of nature, brings “Regenesis” to the David E. Rodale Gallery at The Baum School of Art with an opening reception 6 - 9 p.m. Sept. 20. The event, held in conjunction with Allentown’s monthly “Destination Arts: Third Thursday,” features the multi-talented American artist, shaman, academic, and world-champion boomeranger.
Juxtaposed with the Impressionistic, energetic, stream-of-consciousness work of Barnaby Ruhe, the exquisitely-detailed artwork of the late miniature artist, Jane Walker Conneen (1921–2008), graces the walls of The Baum School of Art’s Rodale Family Gallery.
Conneen’s “It’s a Small World” exhibit featuring her tiny etchings opens Sept. 20 with a shared reception with Ruhe’s “Regenesis” exhibit, 6 - 9 p.m. Both exhibitions conclude Oct. 20 with a shared closing reception, 6 - 9 p.m. Oct. 18.
“Gentle on My Mind,” written by John Hartford, elevated Glen Campbell, a young Arkansas-born sessions musician, to stardom in 1967.
Fifty-one years later, his widow, Kimberly (Woolen) Campbell, described how Alzheimer’s disease ravaged the Grammy Hall of Fame singer’s mind.
The presentation, at the first Lehigh Valley Caregiver Retreat at DeSales University for caregivers of loved ones with Alzheimer’s or other dementias, featured Campbell, co-founder of Careliving.org, and Lori La Bey, founder of Alzheimer’s Speaks.
National Museum of Industrial History Education coordinator Kitsa Behringer says workshop participants will enjoy a hands-on experience while learning the art of making paper by hand and machine; setting type; printing on a hand-fed, foot-powered press; and bookbinding.
Paper-making expert Tom Necker joins master printer Bob Mueller and bookbinding expert Ulla Warcholl to supervise the “apprentice printers” in the labor-intensive processes.
“Underpinnings,” a collaborative project between Muhlenberg College’s Martin Art Gallery and Cedar Crest College’s Center for Visual Research, brings to the fore art by Lehigh Valley arts institutions officials and employees.
Muhlenberg College Martin Art Gallery Director Paul Nicholson and Cedar Crest College Visual Research Gallery Coordinator Brian Wiggins teamed up to create an opportunity for area creatives who work behind the scenes in the arts community to show their artwork.
A reception for “It’s All About Color,” more than 30 colorful works by Ellen Grim Harter on exhibit through July 6 in the David E. Rodale and Rodale Family Galleries, will be held at 6-8 p.m. June 21, at The Baum School of Art, Allentown, as part of Allentown’s Third Thursday series.
As one of nine grandchildren of Walter Emerson Baum, who founded The Baum School of Art and was a founder of the Allentown Art Museum, Harter often watched the artist at work on his sketches and paintings.
The Bethlehem Fine Arts Commission contacted seven area artists to participate in “Putting It Together,” an invitational show through May 31, Rotunda Gallery, Bethlehem Town Hall, 10 E. Church St., Bethlehem.
“Every year we do a curated show with a theme,” says James A. DePietro, a member of the fine arts commission. “Putting It Together” has a mixed media theme involving “artists working with multiple imagery,” he explains.
Lydia Panas began collecting blocks of chocolate in 2000. She would find time to focus on her “Chocolate, Hair + Lint” still-life series back then, when she wasn’t busy with family life and raising three young children.
Photographing the combination of lint, chocolate, and her own hair, the work was, “Symbolic of my daily life,” according to the artist.
“The hair was a metaphor for aging, the lint from the children’s clothing was about family, and the chocolate referenced my often-forgotten desires. As markers of time, they recalled what fell away and what was gained.”