Perhaps no movie in 2017 has been as controversial upon its release as “mother!” Yes, we’ll honor the conceit of the noncapitalized title and exclamation point.
No, that’s not what upset folks with director Darren Aronofsky’s metaphorical take on motherhood, misogyny and the mass media.
“Movies At The Mill” film festival has traveled to several venues in Easton.
This year, “Movies At The Mill,” 6 p.m. - 11 p.m. Sept. 30, is at The Rooftop of the Easton Intermodal Facility, 123 S. Third St., Easton.
The film shorts are expected to unreel at about 7:30 p.m. The Jazz Fusion Trio performs at 6 p.m.
Also, at 10 a.m. Sept. 30, the “Movies At The Mill” seminar series continues with a Skype interview and question and answer session, “Effecting The Story,” with visual effects supervisor-producer Karen Heston.
“It” is one scary movie, yes, it is.
Coulrophobia, or a fear of clowns, is not all that unusual in children. A killer clown, known as Pennywise The Dancing Clown, takes advantage of that fire.
Pennywise isn’t the only scary thing in “It.” There are scary parents, scary teens and scary situations (jumping from a cliff into a quarry, youths throwing rocks at each other, and, scariest of all, an American Motors Pacer automobile).
Plan your “Third Thursday Arts Destination” at 6 p.m. Sept. 21, Allentown Art Museum of the Lehigh Valley, when Bakithi Kumalo, renowned international musician, composer and educator, presents a program of music and conversation.
Kumalo, a Soweto, Johannesburg, South Africa native who played a key role on Paul Simon’s landmark 1985 “Graceland” album and tours with the legendary singer-songwriter, will present a conversation with Tahya at the Art Museum.
Movies are as close as we get to travelling in time machines. “Tulip Fever” transports us to Holland when the tulip and bulb craze was in full flower, circa 1634-1637. Tulips were introduced from Turkey to Holland. A virus caused a red color to appear on the petals, increasing the price and resulting in speculation on the tulip market.
Perhaps no iconic motion picture character has created such a buzz among movie fans as Bond, James Bond.
Bond, referred to by his code name, 007, is a British Secret Service agent who first appeared in a 1953 book by British author Ian Fleming, a former naval intelligence officer who wrote 12 novels and two short story collections that took place 1951-1964.
As a movie franchise, Bond, at 24 (and counting) is only exceeded by “Godzilla,” at 29.
Having seen the film, “The Only Living Boy In New York City,” I can’t wait to read the book.
Wait: There’s no book?
There is a book shown in the film, titled “The Only Living Boy In New York City,” written by W.F. Gerald (Jeff Bridges in full-stubble) in his pen name.
Oh, I guess that’s a prop book, or books, since there is a pile of them on a table at a book store scene.
The terrible trauma of 9/11 made us family.
Images of two hijacked airliners crashing into the World Trade Center in New York City and the aftermath Sept. 11, 2001, are indelibly burned into our memory.
We recall a third plane slamming into The Pentagon in Arlington County, Va.
And we remember the fourth plane burrowing into a field in Shanksville, Somerset County.
Scott Stoneback’s The Media People, based in Alburtis, has been in the documentary film and video business for more than 40 years.
He continues documenting history. And his family continues careers in the media.
Francee Fuller is Marketing Manager, Barry Isett & Associates.
Their son, Ellis, is video editor for the reality TV show, “Say Yes To The Dress,” seen on The Learning Channel.
Their son, Robert, twin brother of Ellis, is managing editor, Ophthalmology Management magazine. Robert had written for East Penn Press.
A truck drives into a crowd in the Netherlands, crashes and explodes.
Police, Interpol and international spies in high-end SUVs chase a suspect through city streets, smashing into vehicles.
An anti-crime expert is tortured, including the use of blindfolding and electric shock.
This is not fake news.
It is not real news.
It is “reel,” though, as in scenes from “The Hitman’s Bodyguard” theatrical feature movie.